Tuesday, May 8, 2012

Plaster Sculpture Reflection


How did you come to consider the idea or concept of “Metamorphosis” through your work in this project?  How does your work physically address that insight?

I think that my sculpture has changed and grown throughout this project. It has changed from a figure to an abstract sketch to a clay sculpture to a plaster sculpture. Through this transition I feel that my sculpture has changed to portray the motion more thoroughly. I was tying to show the viewer the tension in the arm protecting the figure, and how it cringed away from something above. I think that I did a good job in showing the movement.


How did you push yourself to gain a better understanding of the physical properties of the plaster?  In what ways to you come to better control the various tools you employed?

Throughout the plaster carving process I learned a lot of helpful information on what to use each tool for, mostly through trial and error. I had to closely watch what kind of texture each tool made on the plaster, and use these attributes for the better. I also learned how plaster crumbles and how to carve the plaster without causing damage to the final product. Overall this project was a large learning experience for me.


In what ways did your intentions change over the course of your project?  What opportunities or occurrences led to these changes?


 At the beginning of the plaster carving process, I planned on making a removable head similar to that of my clay sculpture. While working with plaster I realized that making this sphere would be nearly impossible. After learning of the physical characteristics of plaster I had to change my sculpture to make it work. I am content with the changes, and am glad because I have different sculptures between my clay and plaster sculpture.




Given what you know now about the material, how might you have changed your concept or approach to working?


Now that I know about plaster, I may have not have originally planned on making a removable head. Luckily before I made irreversible changes I contemplated the shape of my sculpture and decided against the head. After completing this project I realize that I have learned a lot about working with many different materials, and which tools to use for any given situation.